Archive
Mager Kizziah
Three years ago I posted the following regarding Mager being back in business. He was excited to be back as the economy for his services began to improve. We chatted and planned new things. As recently as this year, we were planning to improve the broadcast booth at Petco Park. It is with great sorrow to post that Mager passed away last week of lung cancer.
If I receive any details, I will pass them along. For now, Mager, rest in peace my friend.
Post from 3 years ago:
Under the name of Mager Concepts, LLC, Mager Kizziah is back building studio furniture. I’ve used Mager for a number of projects ranging from truly custom to the bare necessities. He does it all. He works with you. He does it right. And, it doesn’t cost a lot.
Visit his website, Mager Concepts. You can also find it in my list of links. You can see from my website’s homepage a picture with a studio we created. Yes, he is known for his solid surface custom builds, but he does wood laminate, too. I had to modify a room with wood laminate which required a return on the backside. I gave him the specs, the laminate color/style, and molding requirements. I had the item quickly and it matched perfectly.
And, yes, I consider him a friend, so you guys get the cheap plug!
Cheers!
A Little Harris (GatesAir) HTHD+ Repair
Not to focus on anything like this, but, damn, I have not posted in a while. Let’s start flooding you with some real boring stuff! A few weeks back I had the un-welcomed 12:30am phone call from the remote control. How we love those calls. The basics were there: No forward power, off air alarm, etc. I do the normal, let’s try and turn it back on. Nothing. I tried to switch to the Auxiliary transmitter, but that did not happen. My first thought was “great there goes a UPS” which would explain lack of control, but my remote control was working. Up on the Aux site I went. Mind you all this took place quick enough the person in building was never aware of the condition.
Off to the site I go ready to find some melted metal. First lesson of the evening: Make sure all connections are tight and good even on the remote control! A wire backed out of the Phoenix connector on my command for the coax switch. Doh, no wonder it didn’t switch. Fixed that and put the Aux transmitter on the air and turned off the Aux site. (Nice to have an actual auxiliary site.) Crazy how that switch ALWAYS remotely switched until this night. Now on to the main transmitter.
The HTHD+, as all HT series transmitters, has the mimic panel. I see red LEDs for the Plate and a Fault indicators. Well, isn’t that nice. I did just replace the tube a month prior. Let’s see what happens if I shut everything down and start it up again. This usually clears a strange fault or situation especially with a power fluctuation. Wham and Bam. Nope. Immediate slam, in your face, time to troubleshoot sound. I checked the obvious PA cavity and tube. Always check that plate blocker. No obvious signs and no arcing. Jeez, it was clean. Give the tube a shake. Not rattle. Good. Let’s give it another chance, so I turn on the filament, then plate. Same result. Nothing. At this time I take a step back and glance at the big picture. Plate and Fault indicators on the mimic panel. I glance at the High Voltage Power Supply (HVPS) cabinet and there I see it, a MAG OVLD indicator.
How I didn’t notice it when I first walked in I cannot say. Tired or just fixated on the mimic panel. Time to focus on the HVPS. First step is I verified the fault through the multimeter overload faults. Code 21. A cross check corresponded with the MAG OVLD which indicates either relays being open or control voltage was not there. I did all the basic checks: Input line volage, cabinet connections, and interlocks. All good. So, I either had a bad relay or, worst case, a shorted transformer, though I did not smell any magic smoke. I messaged GatesAir via the customer portal, and then studied the schematic. As all line voltages were good I was beginning to suspect a set of relays, and after a nice chat with GatesAir, we determined to focus on magnetic relays 3K1 & 3K2. I set out to do just that. There happens to be contacts on those relays that are exposed. I gave them a little burnshing. I did a quick test into the load. Everything came up flawless. As I had the aux transmitter on the air, I decided to proceed with a cleaning of the HVPS cabinet.
After cleaning up I placed the HTHD+ back on the air. I still find it odd that this failure occurred in the middle of the night. I also find it all that something got in between the contacts on either or both relay contacts while they are normally closed. I did go through a cleaning while I did the tube replacement earlier, but it never occurred to me to burnish these contacts. In addition all was running fine up to that point. As power at the site can be somewhat inconsistent, I wonder if a phase dropped briefly and upon an automatic restart an arc or some dust affected the relay contacts. I have an HT-25, I’ve installed and maintained an HT-30 in the past. I have never had this situation, and they were in environments worse that this.
I love this job as there is always something to learn even if it is a minor, and somewhat obvious item. We do not “know it all” and I love to learn. Pack it in your data bank of a brain so next time the repair is a no-brainer.
Cheers!
Remote, Live Broadcast, or Tech Fun?
I should start by saying it has been way too long since a post. Truth be told, it has not been the most exciting, eventful few months for me in the biz. A lot of little things, but nothing to write home about! OK, that was pretty bad. There is one area that received some attention and that was remote broadcast delivery and call ins. The main equipment are iPads with built-in wireless 4G and docks along with the Tieline Report-IT app. We deployed three new road cases, each with its own challenge.
As posted in July, the first case built utilized the Alesis I/O Dock. Designed, or should I say intended, to be used as a personal I/O (input/output) device for the home recording artist using an iPad. After setup and testing we discovered that the inputs, mic and mic/guitar, were channel independent, i.e. one fed the left channel, the other the right channel. This is all fine and well if recording on the iPad, but the Report-IT app only recognized the left channel. Not a big surprise as it was designed to accept a single input, a microphone, which is a mono source. In development I bet no one said, “No “blank” is going to need anything else.” To correct this issue, I modified the Alesis, oh no warranty busted, such that the second channel fed the first channel right before the A/D converter that feeds the iPad. Problem solved and it did not affect the headphone or monitoring feeds.
With the success of number one, the search continued for other alternatives within reason, or lack of budget. Lo and behold the discovery of the Behringer iStudio iPad dock. This puppy is less expensive that the Alesis, so what do we have to lose, or gain? Testing it out I discovered the same problem as the Alesis, only one channel fed the Report-IT app. Indeed, the Behringer is designed the same way as the Alesis; home recording of two sources to feed independent tracks in a recording app. Normally vocal and guitar. Warranty busting again to discover that they use the same A/D chip as Alesis! I know what to do, and one jumper later, we had another case ready for action.
We were intrigued by the Mackie DL806, so with a little shoveling into the budget, we purchased one. The Mackie is designed to be a live sound mixer and takes after their VLZ series mixers. It also requires a bit more configuring for your setup. If you are familiar with using a Mackie for broadcasts, you will find it is not much different. Everything gets configured on the iPad, and once configured the hardware will remember the settings. The added bonus, but adds complexity, is each channel has a gate and compressor setting. I am still working out the details of how these settings are saved for different shows and environments, so a more in-depth write-up will follow. Overall it has worked well for us.
The culmination of all this is the installation of two Teline Merlin Plus codecs. With these we are now capable of handling up to 12 IP broadcasts. We already had one day which all our stations were out at various times with overlaps. We are now looking into hardening the IP streams.
All of this was not all without some humps in the road. I have had a Merlin Plus get into a state where it rejected any connections, yet I was able to connect with the Toolbox and reboot it remotely. My last use of the Mackie had a hiccup where noise poured out of the headphones and monitor on site. This looked to be the dock connection with the iPad or the iPad itself. This is currently under investigation. In another situation the iPad is setup to use either the wireless or the WiFi connection at the venue. Apparently something changed something there making the iPad want to connect to the WiFi, but not passing the stream. The talent was instructed to turn off the WiFi on the iPad. Well, it looks like training on how to use tablets may be necessary.
Overall we have been quite happy with our arsenal of remote gear. From traditional codecs to running apps only we have the bases covered. More training and fine tuning is necessary, but in the long run the PDs are happy as are the air talent. Now if I can get my hands on a DL1608 or DL32R…..
Our New Remote Broadcast Case
Having worked many live broadcasts for radio I have seen many setups. Our setups have ranged from the complex to the most simple. A wide range for sure. We have broadcasts which require four or more mics down to simple “call-in” type hits using the Tieline Report-IT application. Now we put together something for the simple end such that any air talent can set it up.
What does this remote broadcast case contain? Here’s the list:
Apple iPad running Tieline Report-IT Enterprise equipped with Verizon 4G LTE wireless
Alesis I/O Dock
Fostex amplified speaker
Presonus headphone amplifier
2 Shure SM58 mics
2 headphones
associated cables and 25′ extension cord.
The speaker and headphone amp are items we had in house that were either spare or used in other applications that are no longer necessary. Mr. Bill was along to assist in the setup and make sure everything ran smoothly. The headphone amp is used just in case of a two person setup, and noted later as an interface to mono the audio feed. We have found in many cases if the environment is not too noisy a guest does not use, or need, headphones. It adds additional gain for the deaf air talent, too. If the air talent does not need the amp, just plug into the headphone output of the I/O Dock.
We did find in another broadcast test that the iPad will smoothly transition between 4G LTE wireless and WiFi connections. This was discovered when checking out a new site. A little added bonus.
After doing an initial broadcast and testing, we discovered that the Alesis I/O Dock is designed around two independent channels. Input 1 is the left channel and Input 2 is the right channel. These channels are independent throughout the system with no mixing or mono-button capability. The Tieline Report-IT application, being a mono or one channel application, only “saw” Channel 1, so a mic plugged into Channel 2 did not feed audio to it. I voided the warranty. Since the device only cost us $177, I decided to open it up and modified the I/O Dock. This first modification, and I have others planned, was to make sure two mics fed the application. No schematic was available, but I was able to research the chip-sets used and found the AD-DA (Analog to Digital/Digital to Analog) converter chip. Armed with the pin-outs I used my oscilloscope to trace the signal at that point with the goal of making sure the summing occurred after the pre-amplifiers for the inputs. I located a convenient locations, soldered in a jumper, and all was good. An instant mono, or summed, source for the iPad. This modification does not affect the headphone or main out feed of the I/O Dock, just the feed to the iPad, so each channel is in separate ears of the headphones if plugged directly into the headphone outputs. The Presonus headphone amp has a mono button on it, so the device acts as a nice interface for the picky talent. Return audio from the Report-IT application is not affected and feeds both output channels. I do plan on modifying the modification to included a switch so at a push of a button a mono signal is produced and feeds all outputs. Where and how to implement this switch is the tricky part as there is not a lot of space to add it to the I/O Dock, but I will find a way.
Another added benefit of this setup is to allow recording on the iPad using either a third party application like WavePad or even the Tieline application for feeds later. Using WavePad the talent can record and do basic editing, and once complete, email the audio clip back to the studio. If using Report-IT the talent can record a report and either feed it down the connection or, if FTP is setup, upload to the studio. We are currently researching ways to incorporate the FTP feature in Report-IT such that we can upload clips with specific file/cart numbers and have them automatically import them into a RCS NexGen log.
Why not just use a mic adapter and Report-IT on a phone or iPad directly? We do that, too. In this setup the ease of incorporating two microphones was ideal. In addition the comfort level of the air talent increases as they have that physical something in front of them. Some of our staff has embraced this new technology, but others seem to be less forgiving. As we easy them into it, we make it simple and functional for them. Soon they will be able to run out with a setup on their own and not think twice of it. Getting things done. That ‘s what it is all about.
Alesis makes a product called the I/O Mix which is a 4 channel mixer. We are looking into that, but this is taking things backwards. There may be a use for such a setup in the near future. For a more complex setup, Mackie makes the the DL608 and the DL1608, 8 and 16 channel, mixers for iPad. These are sweet as they incorporate the features of the Mackie VLZ series of mixers. I know of a station that uses this setup for their NFL broadcasts.
As the technology and connectivity continues to improve, applications like Tieline’s Report-IT simplifies the ability to provide for quick, live broadcasts, and news gathering. We are always looking to simplify and utilize emerging tech to our advantage. The package seen here does not cost that much and the flexibility makes it more desirable. The elimination of bulky and confusing mixers appeals to air talent and promotions alike. Improved audio quality for “call-ins” over a standard cell phone call makes us stand out over the competition.
NAB Show 2014 Recap
Coming up on a month out and I have not even done a recap of the NAB Show! Well, that’s because most of the wanderings I did had to do with actual business this year. Odd, but true. I really could have used a third day this year as I did not even make it to the South Hall!!! Nor did I visit my friends at GoPro or DJi. Now that is what I call busy.
What I did see was the cool stuff that you probably already know about through trades or hearsay. I like the new Nautel GV series transmitters. Harris is also looking good and stepping up a bit. This time I was actually talking STL equipment with them. The Alliance had their share of stuff, and all they need to do now is make transmitters since they seem to do everything else. As you can tell if you have read this far, nothing really jumped out at me at this point. I did have a nice demonstration of the Tieline offering: the Codec Lounge. A very good concept and we discussed possible ways of making it even better. Maybe I’ll get a demo/beta version to try out. I also heard about the SAS Virtual Console of which I will get to see shortly. I have some ideas for this.
Of course on the Radio side of life is talk of HD Radio. HD this, HD that. As we progress with this technology I see more and more use of it as a data transport more so than audio. Traffic, weather, album art, artist and title. Wonder what else we can squeeze into 96kb, or 128kB? Did I get to see any demos? No. I saw a couple of cars out front, though. The one thing that stood out to me is that different manufacturers are offering different radios that do different things. My new Mazda6 has HD, but it does not do album art; it does everything else. A hand full of aftermarket have displays for everything, but there are many that do not. Will there ever be a “standard?”
Along the lines of STL’s (that’s Studio to Transmitter Links for the acronym challenged) I’m seeing more in the IP transport arena. We are actually researching upgrading our aural STLs to an IP based system for two reasons, flexibility and flexibility. Audio over IP on a private network is just fine these days and for a backup to anything else it is great. With all the data we push around with IP based remote controls and addressable transmitter equipment, the added flexibility of IP makes life much more simple. For audio I was looking a the Tieline and Worldcast gear. As for a system we are looking into the licensed 8, 11, etc. Gig radios and broadband data. Let’s see how that pans out over the year.
As we move forward what did you see that excited you at the show? Overall, not too much jumped out at me. Yet, on the face-to-face time, it was a very good show. Maybe next year I can get an extra day to see the other world of cool stuff in the South Hall.
Carrier Drift & Diversity Delay
Earlier this week, Tuesday to be exact, I noticed something not quite right with my diversity delay. HD radio has added a little more complexity to our systems which requires delaying analog audio to match digital audio so when a radio switches between analog and HD audio there is no skipping or jumping. This makes the transitions smoother in high multipath areas and only sounds like a quality change if the delay is set properly. Knowing I had an issue I began to look into it when I received a call from our third-party frequency observer. Our carrier frequency was off by -780 Hz. Though within the legal limits, this was a large difference than the month prior. What changed?
The technology for running IBOC, In Band On Channel, digital radio brought along some new challenges and some more things to monitor and look at. In this case we have two things occurring: Diversity delay drifting and a carrier off frequency. With the new technology a source clock is required to maintain sync among all facets of transmission, and this is a 10 MHz reference. All normal installations have a GPS signal fed to the Exporter which has a built-in receiver. This produces the reference 10 MHz clock. All normal installation uses this clock through the Exporter to sync their exciters, so the exciter is now synced to the same 10 MHz reference. Most of the time this works. In our case, on one station, it does not. All four stations have Exporters located at the studios, and three of the four have no issues with the exciters syncing. The third seemed to have some issues with this, so a 10 MHz GPS reference was installed at the transmitter site to clock the exciter directly. This was my starting point.
It was safe to conclude that there was an issue, somewhere, with regard to the reference clocking since both diversity delay and carrier frequency were affected. It was time to check things out at the site. The ESE-110 GPS reference front panel display showed 2 green LEDs. GPS lock and power. Good sign. The Flexstar exciter showed no errors. Green LEDs and diagnostic screens showed good things. I placed a spectrum analyzer on the 10 MHz output of the ESE. I measured 10 MHz. Actually it was slightly lower, like 10 Hz, but then again it is an older spectrum analyzer and probably needs calibration. I used a TFT 844 to measure the frequency shift in conjunction with the spectrum analyzer. Yup, it was there. Since I wanted a third party measurement to confirm, I called him up. I switched to the internal clock of the Flexstar. Frequency changed and swung to +110 Hz. Better. The diversity delay settled down, too. What was up with the 10 MHz input?
If the ESE output was within spec, and a call to ESE verified this along with the only indicators, the green LEDs, then what is up with the exciter? Again, the exciter seemed to be good with the external reference according to the indicators on it along with the diagnostic screens. I did not find the schematic at the site, another long story, so all I had was the operations manual and block diagrams. I remeasured the 10 MHz signal. I stretched out the bandwidth to look at the “hump.” All the manual says is a max of 10 dBm, 0 dBm nominal, and it is used for carrier sync purposes. They better modify that to say it is for ALL frequency references! Mental note on that. I’ve been running this configuration for a year without issue, so what changed? I stood there staring at the simplified block diagram of the Modulation Chain. That PLL feeds the FPGA and D/A module. Two different mixers. Both having issues. I read the short paragraph on the PLL. The 10 MHz reference input is first amplified and put through an AGC loop for level stability. I lacked stability.
My what if moment came at this point. I have had zero, none, nada, problems for a year with my current configuration and a fairly sudden change occurred. If they are amplifying the reference input, what if the amplifier has gone bad in some way. I dug through the spectrum analyzer bag knowing I had a couple of in-line BNC pads. I took out the -20 dBm pad, slapped it on the output of the ESE box, and reconnected it to the Flexstar exciter. I gave it about 10 minutes, though I didn’t have to, and took a diversity delay measurement. Yup, had to change it, so it was time to dial it in and see if it stays. I got the delay down to a very respectable -0.0008 s. At that value I should surely see a change if my solution did not work. I gave it about 2 minutes and rechecked. -0.0004 s. I gave it 10 minutes more; -0.0005 s. Before it was changing rapidly, now it seems to be locked in. I gave a call to Harris. While talking with support, I checked again, -0.0003 s. OMG, this may be working. I emailed my third party to take a measurement while I was busy talking with Harris. No immediate response, but I was not too concerned. The Harris tech was actually surprised at this solution, and after our talk concluded that a new PLL on site would be prudent as all indications now pointed to that as the culprit.
I packed up and blessed the site. I returned to the station and took another reading. The first in about an hour. If it was drifting now, it would show it. -0.0005 s. I was beside myself at this point. What did I stumble upon? It has never been this stable. Before leaving for the day and my tax appointment, I took another reading: -0.0009 s. So far so good. After my appointment, we were out eating dinner (yes, we owe the government a couple of bucks) I received an email from my contact. He listed the times of measurements and the error, the last entry was “6:47 PM. 0 Hz error ** Wow! What did you do?” My solution was holding! I came into work this morning, and I checked my delay again: -0.0004 s.
I now have a PLL module on order with Harris as we have no idea how long this one will last. From what I can figure the amplifier section of the PLL has an issue. The 10 MHz reference was getting distorted and creating a new frequency that offset the carrier frequency. In addition, the distorted signal was “outside” the specification for the unit to lock the diversity delay which was free-running allowing it to drift over a half second. Talking with a colleague we both concluded they may want to install a test point or provide a software controlled pad on the external 10 MHz input. For now, the problem is solved. I am tempted to see how long this lasts or if there will be further deterioration causing drift once again. Happy troubleshoot!
Cheers!
LED Lights
Yes, I installed Debian Linux on an old laptop at home! Yeah, now I get to poke around and learn more about that OS. In the meantime we here in CA can’t purchase incandescent light bulbs any longer; well, at least the >40W jobs. Anyways, before this over regulation went into affect we installed LEDs in our track lighting for the studios. Power savings is awesome, but longevity is lacking.
Power savings: We cut back from 5 amps to 1 amp on circuits that had 10 halogen type bulbs. Very cool. We were “forced” into this situation due to our serve panel being overloaded. You thought you had an old facility? This lower current draw and the fact that we are not producing as much heat has helped on the bills and cooling. Great stuff.
Longevity has been hit and miss. These GUI10 type bulbs are VERY expensive in my opinion. We decided to hit up a less expensive source, China, and the results have been mixed. Many after about 6 months started to do the disco thing. Flashing. My guess is the cheap capacitors in the circuits drying up. One day I may try and “repair” one and see what happens. Some of these bulbs have lasted a year. A handful have lasted longer.
For the price, what are we to expect since going to a Home Depot or the like the bulbs run almost $20 a pop! Bend over, this is going to hurt. Here is the interesting fact. We tried a couple of these “better” bulb, where better = more expensive, and discovered they last the same amount of time! Seems like these things are not ready for prime time. Wonder if this is some sort of scam the state and manufacturers have. That’s the conspiracy theorist in me talking.
At home I decided to upgrade a ceiling lamp in my daughter’s room with 2 FEIT Electric bulbs, purchased from Costco, for about $20 for a 3-pack. They work, but they are LOUD! Buzz central. These are supposedly dimmable. Yeah, they dim, but they sure are LOUD. Full power or not, they make noise. I may try a different dimmer switch. I do have an LED in our hallway lamp which is going on 2 years now. Again, hit and miss with quality and longevity.
Bottom line is I like LED lights. Bright and efficient. I am disappointed in the cost and longevity for incandescent replacements. Where LEDs excel are in flashlights! They are best in flashlights, but quality of light varies greatly among the flashlights I own, and us broadcast engineers seem to like flashlights. My favorite, by far, is the Mag-lite. Strong and bright, the LED outlasts the batteries. I could not remove the D-cells from a Mag-lite due to excessive corrosion. Had to toss it, so check those batteries. Now someone produce a good incandescent replacement that doesn’t cost an arm, a leg, and a liver!
Thoughts While NexGen Updates
How’s that for a generic title? And, WOW, it’s February already!
Anyhow, I’m still working on my Future of Radio series, but it has been tough concentrating on that while doing the daily grind, and I must admit keeping the motivation up. Now that we are in the midst of a NexGen update, going to version 2.13, I am relaying general items that have popped up in the last couple of weeks.
My first interesting conversation was from Burk. I placed a “feature request” in. Not really a feature, but I figured I would ask since I’m dabbling in Linux. The answer is no, they are not working on a Linus version of AutoPilot. Would you believe of all you engineers out there, they claim to have received NO requests for this? My reasoning: Running a monitoring critical operations with a Windows-based system seems a bit disturbing. One would think that having a strong, stable platform running software would be high on the list of requirements. So, I hope I get a call to test out a new package, but something tells me until more of you make the request, no move will happen in the short term.
As I type this, I’m working on my Linux VM. I had to fight, actually learn how to install a plug-in that was not automatic as I am used to. I have a lot to learn on this stuff. Once I get a handle on it, watch out Nautel, I know you guys use Linux for the AUI!
How many of you have MPLS “private” networks across your city, region, or at all? We are in a valley, so our primary STL is T1. AT&T is just the worst now at maintenance and reliability. Seems to me they are taking the same route with point to point T1 circuits as they are with ISDN; slowly letting them die. I figure we would research MPLS and the response from manufacturers like WorldCast is that is the best way to get quality IP connections for audio. Of course this is true if the provider can guarantee bandwidth. This bothers me as many of they companies must lease line segments from the such as AT&T. If I can’t get reliable service from them direct, how can a third party provider? So, if you have something like this, please feel free to chime in with your thoughts.
A couple of years ago I started research for a licensed, high bandwidth data microwave using a combination of 11Gb, 18Gb, and possible 22Gb links. That fell flat when money was shut off. Now I wonder if I can even get a licensed link. I guess it may be time to start that research again. Hopefully the economy improves a bit to make things happen.
Well, better go back and check on that update, and after that check on an air duct to see if it has any dampers or diversions in it. Ah, the life of a radio engineer.
Interesting Article from Time: Business & Money
Read this article. It is concise and pretty much nails the concerns of broadcast and FCC.
The 6 Most Important Tech Bombshells Coming This Year
Items 2 & 3 are very relevant to broadcast: 2 is about the Open Internet; 3. is about Aereo which impacts TV mostly.
We all want open internet. Net Neutrality as it is called. Let’s see what happens.
Thoughts?
Happy 2014!
Tin Whiskers Revisited
A while back I posted on the subject of Tin Whiskers. I also discussed the basics of what I found at that time on This Week in Radio Tech podcast. (episode 145 to be exact) Well, wouldn’t you know that the November issue of Electronic Design has an article on that same topic! Very cool. Article Link Here. You will also note a side box with other articles on the same subject.
This particular article gives more detail on what they are and how they grow. There are even pictures. I think this is pretty fascinating stuff and can explain some of your unknown issues with electronic devises, especially those made after the elimination of lead based solder.
Note in the article some of the failures in another side box: Stable short-circuits in low-voltage systems, transient short-circuits (ah, the intermittent issue), and the best of all Plasma-arcing in a vacuum! The last one is reported what caused three commercial satellites to fail. Now that is some serious, and expensive failures.
Enjoy the read. I did.
Cheers!
